“We are heading to what looks like an imminent global social and environmental collapse. We think this is not so much due to lack of money, skills, technologies or even political targets, but lack of imagination.” The Emergence Room
Hosted by the Emergence Room, Demos Helsinki, and Untitled Alliance, the Experiment Attractor Programme aims to significantly alter the course humanity is on by gathering movements around bold ideas.
Kiley Arroyo of the CSC is serving as one of five inaugural fellows in this program. As a fellow she’ll continue to develop a new adaptive leadership ventured rooted in the practice of soil keeping and intercultural approaches to transformational change. Additional fellows include:
Y-Foundation – Home with community income, biodiversity, and support for zero-carbon lifestyles
Bianca Wylie & Matthew Claudel – Operationalizing the Commons
“Love and justice are not two. without inner change, there can be no outer change; without collective change, no change matters.”Reverend Angel Kyodo Williams
In early 2021, a global group of allied practitioners came together to explore how we embody unjust social conditions, how oppression affects our relationship with our body, and how we can harness the body’s wisdom in making our social justice work more grounded, responsive, and sustainable. It has been humbling to be part of this community. In the coming weeks, I will share a few offerings emerging from this journey, led by the extraordinary Reverend Angel Kyodo Williams.
For those who may be new to the Rev’s work to advance social transformation, I invite you to bask in the beautiful wisdom she shared during a recent conversation with the equally brilliant, Krista Tippet, of On Being:
“There is this place of vulnerability from which truly transformative action must come from is what I have discovered and wrapped my whole language and view around, is that we can take action, and we can take very skillful action. Don’t get me wrong in any way — there’s an enormous amount of advocacy being done, very hard choices that people are making, to put themselves on the front lines. But without this particular place and location of a willingness to be flexible, open, soft-bellied enough to be moved by the truth of the other in whatever given situation, then it is not transformative. It’s change, maybe; it can be moved backwards again, as we can see — the stroke of a pen.
But for us to transform as a society, we have to allow ourselves to be transformed as individuals. And for us to be transformed as individuals, we have to allow for the incompleteness of any of our truths and a real forgiveness for the complexity of human beings and what we’re trapped inside of, so that we’re both able to respond to the oppression, the aggression that we’re confronted with, but we’re able to do that with a deep and abiding sense of “and there are people, human beings, that are at the other end of that baton, that stick, that policy, that are also trapped in something. They’re also trapped in a suffering.” And for sure, we can witness that there are ways in which they’re benefiting from it. But there’s also ways, if one trusts the human heart, that they must be suffering. And holding that at the core of who you are when responding to things, I think, is the way — the only way we really have forward — to not just replicate systems of oppression for the sake of our own cause.”
With the intent to contribute to a more equitable, vibrant and sustainable world, the Garfield Foundation supports changemakers to deliver greater impact through systems understanding and networked action. This work is built on a set of core beliefs, including:
In the power of collective intelligence
Understanding whole systems offers greater insight for leveraged actions
Solutions to complex problems accelerate through thoughtful collaboration
Systems change is sustained only when it is inclusive
Experimenting, reflecting and learning informs effective strategies
The Foundation is collaborating with a team of practitioners from across the United States to develop new strategic learning strategies to deepen the philanthropic sector’s understanding of how to facilitate transformational change.
As a member of the design team, Kiley Arroyo is supporting the creation of this timely work.
In October, the National Assembly of State Arts Agencies(NASAA) andArtPlace America, convened state arts agency community development coordinators to connect with each other and explore challenges and promising practices in equity-centered cultural development. CSC founder, Kiley Arroyo was honored to moderate the plenary session The Color of Equity: Do We Know It When We See It?
In partnership with an extraordinary panel, this discussion examined ways inequities are nested across visible and invisible systems and structures, from our beliefs to organizational practices, public policies, and physical places. Hannah Drake, an extraordinary artist and activist from Louisville, Kentucky opened this conversation with her earthshaking pieceSpaces.
Panelists shared their experiences leveraging the arts, culture, and community-led design to disrupt patterns of harm and center the voices of those impacted by injustice. A full recording of this timely conversation and be found here, along with recording of all conference sessions.
On April 20, 2020, the Culture 2030 Goal campaign has released A Statement on Culture and the COVID-19 pandemic. Signed by eight international networks, the statement is framed within their ongoing commitment to the 2030 Agenda and the need to ensure that culture contributes to a just recovery and the UN Decade of Action for the SDGs.
Entitled ‘Ensuring culture fulfills its potential in responding to the COVID-19 pandemic’, the statement’s preamble emphasizes:
“With the world faced with the COVID-19 pandemic today and the need to rebuild our societies tomorrow, culture should be at the heart of the response. Culture brings inspiration, comfort, and hope into people’s lives. To harness this potential, the Culture 2030 Goal movement, in the context of its engagement in the United Nations 2030 Agenda, calls on UN agencies, governments, and all other stakeholders to act.”
Global actors from government, civil society, the private sector, and academia are encouraged to endorse this statement and work together more strategically as this critical decade unfolds.
In November of 2019, a group of scholars, artists, activists, and policymakers convened in Zagreb, Croatia, to explore critical issues surrounding the role of cultural participation and inclusive governance in contemporary democracies.
The Kultura Nova Foundation organized the event in collaboration with the Cultural participation network and the Centre for Cultural Policy at the University of Leeds and the Danish research network Take Part from Aarhus University.
Kiley Arroyo participated in the panel entitled “Global Perspectives on Democratic Innovation in Cultural Governance” alongside fellow panelists Arundhati Ghosh (India), Mauricio Delfín (Peru / USA) and moderator Ana Zuvela (Croatia). Ms. Arroyo took this opportunity to present emerging insights from her research on the ways that a living systems framework can help to realize the promise of cultural democracy. This presentation is available by request.
Additional information about the seminar can be found here, along with the complete program.
United Cities Local Governments (UCLG) is the leading global platform on culture and sustainable development. In addition to it’s global forum, held every two years, UCLG’s Culture Committee hosts a unique database of good practices on Culture in Sustainable Cities, and provides municipalities with learning, capacity building, advocacy, and networking programs to support the development and implementation of cultural policies and advancement of the UN Agenda 2030 and Sustainable Development Goals.
In October 2018, UCLG convened a diverse cross-section of government officials, international civil society groups, cultural leaders, activists, and academics who work at the intersection of cultural rights and sustainable local development for the seminar, “Cultural Rights and Peace in the City.” The seminar’s objectives were to:
Discuss the specific implications of cultural rights at the local level, and their relation with the generation of conditions for peace in communities.
Disseminate the examples of local policies, from cities all around the world, that are already contributing to the exercise of cultural rights in the city.
Explore the connection between cultural rights, equitable access to the city, and sustainable development in cities.
Highlight the importance to advocate for the cultural component in the international agendas (Agenda 2030 – Sustainable Development Goals and New Urban Agenda.
Against the dynamic backdrop of Mexico City, the seminar combined high-level debates, case studies, storytelling, and intimate discussions about issues related to culture and peacebuilding. The conclusions of the events, as well as the CDMX Statement on Culture and Peace, will be presented during the closing session, in the public context of the Zócalo Book Fair.
Kiley Arroyo was invited to present on behalf of IFACCA, drawing on her experience working at the nexus of culture, equitable development, and social justice. This presentation examined whether enduring peace can exist without justice and ways culture can contribute to positive social transformations.
In 2019, Kiley Arroyo completed a permaculture design certificate with Finca Tierra, a ‘school for revolutionaries’ located in the southeastern state of Talamanca, Costa Rica.
Design principles from permaculture, argoecology, biomimicry, and living systems theory have influenced Ms. Arroyo’s work for several years. She was drawn to Finca Tierra’s program in light of the ways their unique curriculum acknowledges the deep indigenous roots of permaculture and many regenerative farming practices.
In the days ahead, she will continue to integrate these principles and practices into initiatives and enterprises that aim to realize a more regenerative future.
The International Federation of Arts Councils and Culture Agencies (IFACCA) is the global network of arts councils and ministries of culture, with member institutions in over 70 countries. IFACCA envisions a world in which arts and culture thrive and are recognized by governments and peoples for their contribution to society. The IFACCA Secretariat provides services, information and resources to member institutions and their staff – from senior executives and policy makers, to researchers, grant makers and administrators – as well as the wider cultural community.
In this newly created role, I oversaw the development of IFACCA’s new knowledge and data strategy designed to facilitate collaborative learning and adaptive capacity building across this global network. In parallel, I prepared original research on the impact of global migration and forced displacement on artists as well as the discussion paper and companion report for the 8th World Summit on Arts and Culture.
Kiley Arroyo of the CSC is honored to have been invited to participate in the upcomingSalzburg Global Seminar as a fellow and program facilitator, which will explore critical questions about the future of society.
In times characterized by complexity, disruption and unprecedented speed of change, uncertainty about the future is staring us in the face. Some people relish the unknown: the “art of the possible” gives meaning and excitement to their lives. For many, however, insecurity and divisions in society today make it much harder to embrace the future with confidence. The shock of the new can paralyze rather than energize. Making sense of what lies ahead will become ever more important as science reaches further and deeper into space and nanotechnology, and as artificial intelligence and big data transform daily life.
Artists and cultural practitioners – like inventors and scientists – push the boundaries of the human imagination. They help us move beyond the familiar, transcend borders between the present and the future, and become more curious about the new and emergent. This landmark session aims to launch an unusual voyage into the future, calling on artists to share their “guides to the galaxy.” Outstanding creative talents will forge an unconventional dialogue with technologists, scientists, futurists, policymakers, educators and others deeply invested in breakthrough discoveries and the fate of our planet. They will come together across divides to envision and anticipate what may lie ahead.
Building on Salzburg Global’s mission to challenge current and future leaders to shape a better world, this session will provide a generous space for border-busting enquiry to chart collaborative pathways to more livable futures. Participants with radically different perspectives will explore how closer collaboration could inspire and inform public debate and enrich educational processes. How can we better connect parallel conversations and initiatives across the globe? Looking forward, how might artists’ visions play a more central role in the way decision-makers and innovators plan and implement for our shared future?
Overarching questions to kick-start discussions will include:
Can we learn from history? With George Orwell’s 1984 a bestseller in 2017, how accurately have artists in the past “predicted” the future? How have societies reacted to such predictions?
What utopian and dystopian views of the future are currently emerging in different art forms? What excitement and fears surround scientific and technological breakthroughs? Where could these interventions take our societies? Who makes the decisions and who owns the knowhow?
Do artists, scientists, and decision-makers know how to talk to each other? Could new collaborations across disciplines reshape the face of the world in coming decades?
How can we preserve the human element in the face of technologized processes and pressures? Could art, as the ultimate expression of humanity, help to restore a sense of agency and identity?
What futures do we really want and how can we make these futures come to life?
Through this five-day session at Schloss Leopoldskron, Salzburg Global Seminar aims to:
Facilitate dialogue, exchange and new forms of global networking and collaboration between cultural activators and representatives of scientific and technological sectors working at the intersection of the arts, innovation, and future thinking;
Develop strategies and arts-based approached for cross-sectoral collaboration by connecting arts practice to research and policy agendas, framing a call to action around desirable futures, inspiring public debate and educational curricula, and influencing decision-making processes;
Raise greater awareness of the unique and often-underestimated role of the arts in intuiting trends, asking hard questions, and ultimately accelerating transformative change;
Share learning through reporting from the session (blogs, newsletters, substantive report) with a broad, international group of stakeholders; and
Lay the foundations of a global lab for creative future thinking across generations, disciplines, and sectors to forge a more just and sustainable world.
For the 2017-2018 academic year, the Stanford Arts Institutewill continue work to advance Stanford Arts Instituteglobally. The initiative seeks to deepen our collective understanding of the historical and future role of the arts and culture in cities through interdisciplinary research, dialogue, and creative interventions in urban contexts. Using the city as the stage for inquiry, Creative Cities poses questions about the role of art in reimagining the urban sphere, creative economies, the built environment, and more cohesive relationships between and across diverse groups.
There are two main programmatic elements to this project: our year-long fellowship, and the Creative Cities Working Group. The year-long fellowship invites two scholars to Stanford to conduct research in this area, teach one class each, and further the campus conversation about creative cities. This year’s fellows are Samuel Franklin and Gülgün Kayim.
The Creative Cities Working Group engages a broad array of Bay Area writers, thinkers, artists and curators who are engaging critical thought at the nexus of art and urban life. I am humbled to be part of this esteemed group for the 2017-2018 academic year, which includes a variety of contributions, including public speaking and guest lecturing.
The Forum examined over 60 international examples of ways cultural development strategies can enhance large-scale, urban mobility projects. Designed around a human rights agenda, participants in the 1st International Creative Mobilities Forum explored how investments in public transportation infrastructure can increase citizen access to and participation in the cultural life of communities. Diverse notions of spatial justice, cultural migration, and sustainable development were debated, as a means to draw out common principles and context-specific considerations for policymakers, practitioners, and scholars.
Case studies from Europe, South America, and Asia demonstrated how creative tactics can increase citizen participation in shaping these efforts and subsequent use of public infrastructure investments. In some instances, transportation infrastructure has been completely re-imagined as cultural infrastructure, as in evident in the groundbreaking work underway across Medellín, Colombia – where transport terminals double as libraries, playgrounds, artistic and sports facilities. In France, the Paris Grand Express, a $25 billion expansion of the century-old Métro is underway. When completed in 2030, the system will connect marginalized neighborhoods to the greater metropolitan area, and more 68 stations, which have been designed to double as public art works.
With rapid changes in cities across the world, citizens are demanding and expecting new ways of participation in their urban environments. This evening panel will bring together interdisciplinary perspectives from design, public policy, and the arts to explore theories and framing of citizen participation and new possibilities for engaging the urban populace. From topics of creative democracy to participatory planning in public housing and maker activities in public spaces, how might we build a stronger shared urban future in the Bay Area and one that is inclusive and just?
Speakers Kiley Arroyo, Cultural Strategies Council and Creative Democracy Lab Andrea Jany, International Visiting Fellow, Stanford Humanities Center Corinne Okada Takara, Independent Artist & Art Education Specialist, Okada Design
This event is sponsored by the Stanford Human Cities Initiative, Program on Urban Studies, Stanford Arts Institute, and Haas Center for Public Service with support from the Stanford Humanities Center.
November 13, 2017 Reception at 5pm – Panel starts at 5:30pm
Stanford Humanities Center Levinthal Hall 424 Santa Teresa Street Stanford, CA 94305
In June of 2017, Kiley Arroyo of participated in a study tour organized by Gehl Institute. Founded in 2015 by Gehl Architects, the Institute builds on the research methods and experiences pioneered by Jan Gehl and the firm’s Copenhagen, New York, and San Francisco based teams. The purpose of the summer study tour was to test the Institute’s emerging definition of Health and Inclusive Placemaking, identify key components and measures to assess it in practice, and to learn how the global cities of Copenhagen, Denmark and Malmö, Sweden are working to advance greater equity and public health outcomes through interventions in public space. Findings from this work will be released by Gehl Institute in 2018.
Arizona State University’s Pave Program in Arts Entrepreneurshippresents its 5th Biennial Pave Symposium on Entrepreneurship and the Arts in collaboration with the UW-Madison Bolz Center for Arts Administration on May 5-6, 2017. The theme of the 2017 symposium is: “Arts Entrepreneurship In, With, and For Communities.” Participants will explore the nature of arts entrepreneurial action in community settings and modes of interaction between artists and their communities. Framed by an interactive workshop on Critical Response Process led by Liz Lerman and John Borstel, and anchored by a keynote speech by Carlton Turner, founding executive director of Alternate Roots, the symposium will also include concurrent sessions on theory, practice, and pedagogy for arts entrepreneurship in, with, and for communities.
Until we reimagine the way we capitalize the cultural life of communities, we will not realize its transformative potential. Low-income and communities of color receive a disproportional amount of the capital deployed across the cultural sector annually. Practitioners in rural and native contexts experience this inequity acutely as a result of the comparably weak fiscal capacity of public institutions and sparse philanthropic investment. These forces combine to exacerbate the vulnerability of rural and native cultural ecologies, limiting their potential to affect positive social change. Join me to learn about the Alternative Capital Working Group’s efforts to reimagine the way we resource cultural development work by adopting and adapting innovative investment strategies.